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And Then I Stop Book Two
At first, I thought my creative block was all about my Dad.

I wrote a poem in 1986 that captured my frustration at being unable to write:

The desire to express
I was taught to repress,
Has caused me a block
I wish to unlock.

I pick up the pen
I start writing again,
I feel the flow,
And Then I stop.

In 2003, many years after I had discovered the damage from my Father, I found there was another source to my writing blocks.

It started with my Grandmother, my Dad’s Mom. When I was 8 years old. She asked me, what do you want to be when you grow up?

I said I wanted to be a famous writer.

She said, “Oh, no, you don’t want to do that?”

Puzzled, I asked, “Why not?”

“Because if you’re a famous writer, they’ll call you crazy and lock you up.”

The messages went on and went much, much deeper, and over the next several years, I uncovered why I had twice come up to the edge of publication, only to stop, walk away, and not return to the book I had written.

The memories I uncovered were very painful. Yet I also discovered that the pain of the memory wasn’t as bad as the pain of not being able to write. I got through it. The book will be called, And Then I Stop.

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The Tiger Unveiled Book Three
“Tell me about your tiger,” she said. They were at the zoo, standing in front of the tiger cage. A huge, restless Bengal tiger paced back and forth the length of the cage. His eyes looked devoid of life, cold, neutral. The huge paws silently padded up and down, the tawny skin rippling over muscles bunching and loosening as he walked, endlessly pacing. There was about him an ominous presence, a sense of unbelievable power and force, frightening, even with the steel bars separating him from outsiders.

“OK,” he replied, “I guess to do that the best way to start is to tell you about this dream I had. In the dream I was walking down a road with a friend, and I was taking him to see my house. I wanted to show him all the beautiful new rooms I was discovering in my house. We opened the front door and went inside, and as we closed the door behind us, I knew there was something in there with us.” He stopped, paused, took a deep breath. “We began walking through the house, with me pointing out all the neat rooms and nice features. Suddenly there was a tiger with us, walking next to us. My friend was, of course, very frightened. I assured him it was a tame tiger, that I knew it, and that it wouldn’t hurt us. Then it grabbed my arm in its mouth. I could feel the tremendous power of its jaws, even though it wasn’t biting hard - just playing almost. Then I knew the tiger was not tame, I had been fooling myself. I could not control it, and sooner or later it would destroy me, and any of my friends who might be around. I got scared, and the dream ended.”

“Boy,” she gasped, “that’s pretty powerful. So what does the dream mean to you?”

“The house, of course, is me - the inside of me. It has many wonderful parts - rooms - to it, a lot of which I’m just now discovering. The tiger was my rage. Something terrible because it was uncontrollable, capable of destroying the house - me - and anyone who came close to me.”

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As they sat down at the Denny’s restaurant, what went through his mind was, “Oh, my God, this feels like an Intervention.” There were six of them, and one of him. They had gotten him out of bed that night - woke him up late - and said they wanted to buy him dinner. From the first his intuition was that something was wrong. The people who came to his back door didn’t fit together - some of them didn’t even like each other. And they wanted to buy him dinner? This late? But he had gone along with them - because he trusted them, gave power to their words - in a sense because they were family.

He had seen these people earlier in the evening at a party. He had been in a lot of pain - because of grief over his Dad’s death, but also the pain of knowing that he must move on from some of these people. He loved them dearly, but he had to detach from them, for his own well being, to save himself. So when it got too emotionally crowded at the party, he went home.

Now as he sat in the middle of the table, surrounded by these people - trapped in a sense - his thought was: listen to what they have to say. Give them the benefit of the doubt - don’t get angry and get up and leave. Trust them. They began talking. They told him they wanted to confront his pattern of backing away from people. That felt strange. Couldn’t that have waited until tomorrow? They said they were doing this out of love. As he looked at them, they looked frightened, agitated. They made statements that sounded reasonable, but in some way sounded angry. The things they said about him could have been true about them as well. It sounded like they were describing themselves, but they were saying it was about him.

Their words grew more hurtful, more demanding. They were accusing him of things, diagnosing him - telling him how sick he was. Some of them grew more angry, more insistent. It continued.

Several days later, he found out the truth about how this had all come about. He grew angry, very angry. He felt his tiger. It scared him deeply, because there was an immediate target for the rage. Something had to be done.

This was one of the most hideous experiences of my life. Why would I later say it may have been the single biggest blessing that I had ever experienced?

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Healing the Wounds Book Four
After the events that had taken place in The Tiger Unveiled, I felt very alone and isolated. I was working a night shift at a treatment center, and fulfilling my dream of taking creative writing classes. I was still feeling the grief over the death of my Dad.

And there was the rage to deal with.

I began to find ways to heal the old wounds with my Dad.

What do you say to your Father, when you want to ask questions, express regrets, when you can no longer talk with him? Angrily expressed in the movie Field of Dreams, “The son of a bitch died before I could take it back.” So I was left with being creative, and imagining what it would be like if I could have just a bit longer with him.

A Conversation With Dad 8/5/90


All I really wanted to say was "I'm sorry."

I had said some hurtful things to my Father. But he had been dead for three years. How do you make amends after they're gone? It wasn't perfect, not like him being there, but I was talking to him anyway. Just making up a conversation in my mind, inside my spirit. And answering for him - what I thought he would say. No, that's not quite true. Some of the things my Dad had said to me, but I could not hear them at the time, or at least could not receive his words.

My Dad had owned 5 acres of land out in the country that he was planting in pecan trees. We had been out there one time, with me clearing trees and brush while he grafted pecan trees. While we were resting, he'd been telling me stories about the good old days, like he always did. I told him that with any other adult male I would get up and leave if the stories got too much, and so I would with him. God, how that must have hurt.

And now I felt bad about it. I imagined us now out at that land once again, sitting in camp chairs under the large oak trees, resting in the shade. I was saying now what I couldn't say before.

"Dad, I know it must have hurt you, what I said when we were out here that time; that and some other things I did."

He answered me. "Yes, son, that did hurt. I never knew you didn't like my stories. I didn't know what to say." He paused. "What other things?"

"Dad, I guess it was mostly me provoking you, arguing with anything you said, rebelling. Putting you down. I did a lot of subtle stuff. I didn't know why I was so angry with you. I've learned more and seen where all that anger was coming from. But that didn't make it right what I did." It felt like my words were all rushing out, stumbling over each other, eager to be free. I felt awkward, like I was saying it poorly, now that I had the chance.

He replied. "Yes, it did feel like whatever I did wasn't good enough for you at times. Almost like I couldn't live up to your expectations. But Cowboy, I know I hurt you, too, many times. And I think that's where your anger started. I didn't ever remember - I was too drunk. But now I know more."

We sat in silence for a few moments, reflecting.

He spoke again. "It's real sad, but I guess it happens a lot. My Father was there for me, and then when I was 12, he left. He turned his back on me. I felt hurt, and abandoned, and like he didn't love me any more.

"And I can see now that I turned away from you when you were the same age. I began punishing you. I was really proud of your writing, your speaking, your acting. But I made stupid, ugly comments about them all - I can remember now - over here we see a lot of things more clearly. And I know I hit you, abused you. I guess it was because you were daring to develop your creativeness - and I had never been able to. But that's no excuse."

There it was. What I'd always wanted to hear, wanted him to admit - I hadn't realized it would be this hard to accept. I was having trouble catching my breath. We sat for a long time, not speaking. I spoke again, feeling my words. "Thanks, Dad, for saying that. That's the way it felt for me, too. But the things I said to you were wrong, no matter what you did to me. I blamed you for all my problems and played victim and all that shit. I have to accept responsibility for what I did after I was grown up. I apologize."

"Me too, Cowboy. I apologize, too. The sickness and the disease we carry with us makes us do hateful things, things we would not do if we were in our right minds. I never intended to hurt you. I was very proud of you. But when I was in my sickness, I couldn't always let it show."

"Thank you, Dad. I do know now you were proud of me - you told me before, but I couldn't hear it." We sat in silence, hearing the breeze whistling through the trees, the birds singing in the upper branches. I drew in a deep breath.

"Dad, there's something else."

"I know, son."

"I have to leave. I have to separate from you, and be me, be Dan. I have lived for 20 years trying to be what I thought you wanted me to be, not who I really was. I hope you understand I mean no disrespect by leaving."

"No, Dan, I don't think that way, not at all. I don't know if you remember, but I encouraged you to go out and be whatever you wanted to be, and I'd support you."

"Yes, I remember."

"Well, I meant that. If you want to be a writer, I support you in that. I am glad you are happier being that."

"Thanks, Dad. But please know this. I will take with me the gifts you have given me."

"Gifts? Like what?"

I started choking up. "Well, like when I saw you have the courage to come home and put our family back together after you sobered up. And even though it took 10 years, you got back your old job. And the guts to stick to it, even though it would have been easier to leave. Staying sober for 20 years. You modeled for me perseverance. And courage. You gave me my love of literature, of reading. My writing ability came from you. You know, I've always been real proud of you. But in my sickness, I couldn't tell you either."

"Thank you, son." We sat quietly for a time. "So can we be at peace with each other?" my Father asked.

"Yes, Dad. At peace. I am a man, now, and I want to shake your hand - man to man."

We shook hands, solemnly, firmly, slowly. "You certainly are a man, Dan. And a very remarkable one. Go for it. All the way. Let your writing go as far as it will - and that's a long way."

"Thank you, Ben. I will. I will remember you always, treasure all you gave me. You are part of the story I have to tell. You are one of the greatest men I have ever known." I paused. "I'll check in with you along the way. Goodbye, Ben."

"You do that, Cowboy. Goodbye. Vaya Con Dios. Go With God."

So continued the journey of forgiveness.

My Dad in 1980
My Dad in 1985 - at his pecan orchard
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The Symbolmakers Book Five
A large group from the recovery world began playing noncompetitive softball together in the summer of 1989. We would play for hours, purely for the love of the game. After the mistrust that had been sown in my life by the Intervention done on me, it helped me learn to trust a group of people again. Pat and Mike and I began to connect some.

We all began attending a creativity workshop around the same time, and discovered a common interest in creative things as we tentatively pulled our creative talents out of the closet, dusted them off, and explored them in a safe environment.

Several times I ran into Pat at a chinese buffet, and we began to visit as we ate dinner.

The softball crew would go to dinner at that same chinese buffet, on Sunday evenings after a long afternoon of play. How we would play for 3 to 4 hours in Houston in August, I’ll never understand.

Pat, Mike and I had several discussions during those dinners about creativity, about our dreams, and our destinies. We decided we needed more time to discuss things, and in the fall of 1990 we decided to meet every two weeks to share thoughts and visions of our lives. It was a phenomenal support group. Nick joined with us later.

Pat had begun playing the drums during this time, and showed up one time with a cap on that said “Zildjian”. When Mike asked what it meant, Pat said it was Arabic for Cymbalmaker. I just nodded, but Mike got excited, and I couldn’t understand why. Mike thought it meant Symbolmaker. After we cleared up the misunderstanding, we liked the alternate definition, and adopted that as our theme. We were talking a lot about Joseph Campbell, myths and rituals, the hero’s journey, and somehow the Symbolmaker blended right in with those talks. The movie Dances With Wolves had just come out that fall, and it enthralled us with the thought of exploring frontiers, other cultures, and in some way finding our true selves.

We were beginning to explore our paths during the heyday of the Men’s Movement. Pat brought me a magazine called the Utne Reader, which had an article about healing old wounds with your father. I still have that article. It stated that to heal the wounds, you should go heal the wounded father within yourself.

It made sense at the time, and led to me exploring the story I’d never followed before - what happened to my Dad when he disappeared for about a year after his drinking bottomed out? I began to explore the story, and after writing the first two chapters, I realized I had a powerful story - a story of hope. I was already seeing my Father in a different light.
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Then I Went to Find My Father Book Six

As the Symbolmakers inspired my healing process with my Dad, I had begun to write a story about the time when my Dad disappeared. He had lost his job, lost his family, lost everything; he had reportedly gone to work on the wheat harvest, which he had done in high school. He returned to Fort Worth, and after fumbling around for a while, sobered up in AA, and eventually got a job in his old industry, put the family back together, and had altogether a different experience than I would have expected when he disappeared.

The missing piece for me was that I had no idea what it would be like to be on the wheat harvest. I mentioned it to the guys at dinner one night that “someday, if I’m ever going to finish this book, I have to go work on the wheat harvest.”

Pat said later that I had mentioned that three or four times before he said anything. In January of 1991, he quietly said to me one night, “Someday, if you ever want to go work on the wheat harvest to finish your book, I have relatives in Oklahoma who work the harvest every year. I could probably get you on with them.” I did a huge mental gulp at hearing that, and reacted like I usually do when I’m in shock, sat there with a stunned look on my face, saying nothing. I thought about that for a long time, because I felt like the spiritual ante had been greatly upped on this whole book project.

I told several of my friends about it, and all were in support of it. One night I told one of the guys from my Sunday School class about it - he was an accountant, very well grounded, a very solid person. He was totally enthusiastic for me. I later realized I had secretly hoped he’d call the idea very unreasonable, and try to talk me out of it.



Time to take a leap

The momentum built, and by May of 1991 I had quit my job, driven to Oklahoma, and was living in a trailer with 6 high school farm kids, learning to drive a grain truck. I knew it was a turning point in my life, which proved true. I found my story eventually, but more importantly, I walked in my Dad’s shoes. I imagined what it would be like working your way north on a harvest crew, and at least in his mind, thinking you would never return home. Heartbreaking.


Dumping wheat onto a grain truck.

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It had been a magical summer in many ways, but tough. I had worked in the oilfields for a couple of summers, but it was not nearly as hard as the work I encountered on harvest. When the wheat stayed ripe and rain was on the forecast, you might work until 3 AM, then get up at 7 and do it all over again. Not to mention the fact that I was a 41 year old man, trying to keep up with high school kids. (My Dad would have been 40 when he went on harvest)

But now it was August, 1991, and I had gotten through the worst part of it, and actually felt like I mostly knew what I was doing. We had followed the wheat north, and now were on a dirt road outside of Rapid City, South Dakota, heading the back roads to Sturgis, our next stopping point. I was driving a longbed grain truck pulling a combine on a trailer. I was entranced by the long flowing vistas of hills and prairie grass as we drove, and the land started looking eerily familiar. We pulled up to a T intersection, and I could see that the rig ahead of me had turned left, to the west. As I stopped at the intersection, I was struck by the thought, “This looks like the scenes from Dances With Wolves.” I was facing a long flat vista to the north, gently sloping down to a tree lined valley far, far away and below. It was awe inspiring.


Shot from the truck, looking down at the valley where Dances With Wolves filmed.

The next day, in Sturgis, I found out why the scene had looked so familiar - I had been looking down at the valley where the Indian village scenes were filmed in Dances With Wolves. The very one. Later, I even got to tour the movie location. It was just that kind of summer.


Me at the Dances With Wolves filmsite
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Nothing Left to Lose Book Seven
In 1967, when I was 17, we were living in Oklahoma City when my Dad’s drinking hit bottom. My aunt and uncle came and picked up my Mom, my 3 sisters and myself, taking us back to Fort Worth to live with my maternal grandmother. Dad disappeared for a while, then later returned to Fort Worth, somehow changed. I never knew what had happened to him, other than a vague comment about him going and working on the wheat harvest, which he had done in high school. I never thought I would see him again, and later wondered what his life had been like during the time while he was gone.

He died before it ever occurred to me to ask him about it.

In the spring of 1991, I quit my job, went up to Oklahoma, and worked on the wheat harvest, to try and imagine what my Dad’s life was like after we left, and what might have happened to him. The book I wrote in 1993 was my best guess as to what happened. The first chapter reads:

Chapter 1

Eyes downcast, he trudged along, conscious of the uneven surface along the shoulder of the highway, stumbling occasionally on chunks of gravel or small pebbles. He looked up periodically at the cars speeding past, as if to keep his bearings. His face was lined and weary and his entire body ached. He was wearing a worn brown corduroy jacket, a wrinkled plaid flannel shirt, dark blue polyester pants, white socks and cordovan loafers.

It was about 5 pm and the sun had just set. Night was approaching rapidly and the chill of February in 1967 was harshened by a brisk wind which picked up in gusts as he walked. He tried to walk faster, his hands deep in his pockets, but had to step carefully so not to turn an ankle on the uneven surface beside the roadbed. His vision was limited by the flash of oncoming headlights.

He had been told there was a boarding house in town where he could get a room for the night, and he plodded on, the directions vaguely held in a corner of his consciousness.

“We’re sorry,” they’d said at the detox center, “but all we can do is provide you a place for 5 days. We just help people dry out. Then we have to give the bed to someone else.” They had directed him to the boarding house, wished him well, given him back his clothes and money, and sent him on his way.

His feet hurt, his whole body ached, he craved a drink but knew that he must make the most of this chance. There was another pain, too, an emotional void when he thought of all he had left behind, all he had lost. He wondered where they were now, but he knew he could do nothing for them. Yet he longed for their voices, for any source of warmth and comfort to relieve this coldness, and the blackness in his soul.

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Sitting and looking out the big picture window at the front of Miss White’s Boarding House, Peter Sanders watched the occasional car pass, and a few blocks away he could see the busier traffic on the main street. Busy, he thought, for our town. Cornell, Oklahoma wasn’t exactly New York, he chuckled to himself, but it was rush hour here, with cars heading home to supper.

At the corner of the main road where it intersected his street, he saw a figure hesitate, look at street signs, and uncertainly begin to walk toward him. Another drunk out of the center, he thought to himself, betting that the man was headed here. This was where they mostly came when they had nowhere else to go.

Peter got up, stepped to the door of the kitchen, cracked it open. “Miss Vera,” he called.

“Yes, Peter?” she replied.

“I think we got a visitor coming in.”

“Alright. Send him through to me.” Miss Vera stepped wearily into the living room. She had seen so many come through her doors that the novelty of it had long since worn off.

Peter sat in one of the overstuffed chairs in the living room, extending his feet toward the large space heater in the corner. Miss Vera went back into the kitchen. The man opened the door.

“Step in and warm up, stranger,” Peter called. He stepped quickly and gratefully over in front of the space heater, holding his hands out over it, shivering slightly. Peter studied him. He was about six feet tall, slender yet sturdy, with dark circles under the eyes, sunken cheeks. He had dark brown hair, cut short, rumpled and uncombed, and his clothes weren't heavy enough for February. The clothes looked of good quality, but were tired from overuse. His hands looked soft. There were no calluses or marks, so he was probably not a laborer. His shoulders slumped wearily, hands twitched, and he had an almost nauseous look on his face. Peter imagined him to be a businessman gone to seed - gone down far and fast, too. Peter knew the look - he'd had it himself recently enough.
My Dad in March 1971
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