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| And
Then I Stop |
Book Two |
| At first, I thought my creative block
was all about my Dad. I wrote a poem in 1986
that captured my frustration at being unable to
write:
The desire to express
I was taught to repress,
Has caused me a block
I wish to unlock.
I pick up the pen
I start writing again,
I feel the flow,
And Then I stop.
In 2003, many years after I had discovered the
damage from my Father, I found there was another
source to my writing blocks.
It
started with my Grandmother, my Dad’s Mom.
When I was 8 years old. She asked me, what do
you want to be when you grow up?
I said I wanted to be a famous writer.
She said, “Oh, no, you don’t want
to do that?”
Puzzled, I asked, “Why not?”
“Because if you’re a famous writer,
they’ll call you crazy and lock you up.”
The messages went on and went much, much deeper,
and over the next several years, I uncovered why
I had twice come up to the edge of publication,
only to stop, walk away, and not return to the
book I had written.
The memories I uncovered were very painful. Yet
I also discovered that the pain of the memory
wasn’t as bad as the pain of not being able
to write. I got through it. The book will be called,
And Then I Stop. |
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| The
Tiger Unveiled |
Book Three |
“Tell me
about your tiger,” she said. They were at
the zoo, standing in front of the tiger cage.
A huge, restless Bengal tiger paced back and forth
the length of the cage. His eyes looked devoid
of life, cold, neutral. The huge paws silently
padded up and down, the tawny skin rippling over
muscles bunching and loosening as he walked, endlessly
pacing. There was about him an ominous presence,
a sense of unbelievable power and force, frightening,
even with the steel bars separating him from outsiders.
“OK,” he replied,
“I guess to do that the best way to start
is to tell you about this dream I had. In the
dream I was walking down a road with a friend,
and I was taking him to see my house. I wanted
to show him all the beautiful new rooms I was
discovering in my house. We opened the front door
and went inside, and as we closed the door behind
us, I knew there was something in there with us.”
He stopped, paused, took a deep breath. “We
began walking through the house, with me pointing
out all the neat rooms and nice features. Suddenly
there was a tiger with us, walking next to us.
My friend was, of course, very frightened. I assured
him it was a tame tiger, that I knew it, and that
it wouldn’t hurt us. Then it grabbed my
arm in its mouth. I could feel the tremendous
power of its jaws, even though it wasn’t
biting hard - just playing almost. Then I knew
the tiger was not tame, I had been fooling myself.
I could not control it, and sooner or later it
would destroy me, and any of my friends who might
be around. I got scared, and the dream ended.”
“Boy,” she gasped, “that’s
pretty powerful. So what does the dream mean to
you?”
“The house, of course,
is me - the inside of me. It has many wonderful
parts - rooms - to it, a lot of which I’m
just now discovering. The tiger was my rage. Something
terrible because it was uncontrollable, capable
of destroying the house - me - and anyone who
came close to me.”
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As they sat down at the Denny’s
restaurant, what went through his mind was, “Oh,
my God, this feels like an Intervention.”
There were six of them, and one of him. They had
gotten him out of bed that night - woke him up
late - and said they wanted to buy him dinner.
From the first his intuition was that something
was wrong. The people who came to his back door
didn’t fit together - some of them didn’t
even like each other. And they wanted to buy him
dinner? This late? But he had gone along with
them - because he trusted them, gave power to
their words - in a sense because they were family.
He had seen these people earlier
in the evening at a party. He had been in a lot
of pain - because of grief over his Dad’s
death, but also the pain of knowing that he must
move on from some of these people. He loved them
dearly, but he had to detach from them, for his
own well being, to save himself. So when it got
too emotionally crowded at the party, he went
home.
Now as he sat in the middle
of the table, surrounded by these people - trapped
in a sense - his thought was: listen to what they
have to say. Give them the benefit of the doubt
- don’t get angry and get up and leave.
Trust them. They began talking. They told him
they wanted to confront his pattern of backing
away from people. That felt strange. Couldn’t
that have waited until tomorrow? They said they
were doing this out of love. As he looked at them,
they looked frightened, agitated. They made statements
that sounded reasonable, but in some way sounded
angry. The things they said about him could have
been true about them as well. It sounded like
they were describing themselves, but they were
saying it was about him.
Their words grew more hurtful,
more demanding. They were accusing him of things,
diagnosing him - telling him how sick he was.
Some of them grew more angry, more insistent.
It continued.
Several days later, he found
out the truth about how this had all come about.
He grew angry, very angry. He felt his tiger.
It scared him deeply, because there was an immediate
target for the rage. Something had to be done.
This was one of the most
hideous experiences of my life. Why would I later
say it may have been the single biggest blessing
that I had ever experienced? |
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| Healing
the Wounds |
Book Four |
After the events
that had taken place in The Tiger Unveiled, I
felt very alone and isolated. I was working a
night shift at a treatment center, and fulfilling
my dream of taking creative writing classes. I
was still feeling the grief over the death of
my Dad.
And there was the rage to deal with.
I began to find ways to heal the old wounds with
my Dad.
What do you say to your Father, when you want
to ask questions, express regrets, when you can
no longer talk with him? Angrily expressed in
the movie Field of Dreams, “The son of a
bitch died before I could take it back.”
So I was left with being creative, and imagining
what it would be like if I could have just a bit
longer with him.
A Conversation With Dad 8/5/90
All I really wanted to say was "I'm sorry."
I had said some hurtful things
to my Father. But he had been dead for three years.
How do you make amends after they're gone? It
wasn't perfect, not like him being there, but
I was talking to him anyway. Just making up a
conversation in my mind, inside my spirit. And
answering for him - what I thought he would say.
No, that's not quite true. Some of the things
my Dad had said to me, but I could not hear them
at the time, or at least could not receive his
words.
My Dad had owned 5 acres of
land out in the country that he was planting in
pecan trees. We had been out there one time, with
me clearing trees and brush while he grafted pecan
trees. While we were resting, he'd been telling
me stories about the good old days, like he always
did. I told him that with any other adult male
I would get up and leave if the stories got too
much, and so I would with him. God, how that must
have hurt.
And now I felt bad about it.
I imagined us now out at that land once again,
sitting in camp chairs under the large oak trees,
resting in the shade. I was saying now what I
couldn't say before.
"Dad, I know it must have hurt you, what
I said when we were out here that time; that and
some other things I did."
He answered me. "Yes, son, that did hurt.
I never knew you didn't like my stories. I didn't
know what to say." He paused. "What
other things?"
"Dad, I guess it was mostly me provoking
you, arguing with anything you said, rebelling.
Putting you down. I did a lot of subtle stuff.
I didn't know why I was so angry with you. I've
learned more and seen where all that anger was
coming from. But that didn't make it right what
I did." It felt like my words were all rushing
out, stumbling over each other, eager to be free.
I felt awkward, like I was saying it poorly, now
that I had the chance.
He replied. "Yes, it did feel like whatever
I did wasn't good enough for you at times. Almost
like I couldn't live up to your expectations.
But Cowboy, I know I hurt you, too, many times.
And I think that's where your anger started. I
didn't ever remember - I was too drunk. But now
I know more."
We sat in silence for a few moments, reflecting.
He spoke again. "It's real sad, but I guess
it happens a lot. My Father was there for me,
and then when I was 12, he left. He turned his
back on me. I felt hurt, and abandoned, and like
he didn't love me any more.
"And I can see now that I turned away from
you when you were the same age. I began punishing
you. I was really proud of your writing, your
speaking, your acting. But I made stupid, ugly
comments about them all - I can remember now -
over here we see a lot of things more clearly.
And I know I hit you, abused you. I guess it was
because you were daring to develop your creativeness
- and I had never been able to. But that's no
excuse."
There it was. What I'd always wanted to hear,
wanted him to admit - I hadn't realized it would
be this hard to accept. I was having trouble catching
my breath. We sat for a long time, not speaking.
I spoke again, feeling my words. "Thanks,
Dad, for saying that. That's the way it felt for
me, too. But the things I said to you were wrong,
no matter what you did to me. I blamed you for
all my problems and played victim and all that
shit. I have to accept responsibility for what
I did after I was grown up. I apologize."
"Me too, Cowboy. I apologize, too. The sickness
and the disease we carry with us makes us do hateful
things, things we would not do if we were in our
right minds. I never intended to hurt you. I was
very proud of you. But when I was in my sickness,
I couldn't always let it show."
"Thank you, Dad. I do know now you were proud
of me - you told me before, but I couldn't hear
it." We sat in silence, hearing the breeze
whistling through the trees, the birds singing
in the upper branches. I drew in a deep breath.
"Dad, there's something else."
"I know, son."
"I have to leave. I have to separate from
you, and be me, be Dan. I have lived for 20 years
trying to be what I thought you wanted me to be,
not who I really was. I hope you understand I
mean no disrespect by leaving."
"No, Dan, I don't think that way, not at
all. I don't know if you remember, but I encouraged
you to go out and be whatever you wanted to be,
and I'd support you."
"Yes, I remember."
"Well, I meant that. If you want to be a
writer, I support you in that. I am glad you are
happier being that."
"Thanks, Dad. But please know this. I will
take with me the gifts you have given me."
"Gifts? Like what?"
I started choking up. "Well, like when I
saw you have the courage to come home and put
our family back together after you sobered up.
And even though it took 10 years, you got back
your old job. And the guts to stick to it, even
though it would have been easier to leave. Staying
sober for 20 years. You modeled for me perseverance.
And courage. You gave me my love of literature,
of reading. My writing ability came from you.
You know, I've always been real proud of you.
But in my sickness, I couldn't tell you either."
"Thank you, son." We sat quietly for
a time. "So can we be at peace with each
other?" my Father asked.
"Yes, Dad. At peace. I am a man, now, and
I want to shake your hand - man to man."
We shook hands, solemnly, firmly, slowly. "You
certainly are a man, Dan. And a very remarkable
one. Go for it. All the way. Let your writing
go as far as it will - and that's a long way."
"Thank you, Ben. I will. I will remember
you always, treasure all you gave me. You are
part of the story I have to tell. You are one
of the greatest men I have ever known." I
paused. "I'll check in with you along the
way. Goodbye, Ben."
"You do that, Cowboy. Goodbye. Vaya Con Dios.
Go With God."
So continued the journey of forgiveness.
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My Dad in 1980 |
My Dad in 1985 - at
his pecan orchard |
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| The
Symbolmakers |
Book Five |
A large group
from the recovery world began playing noncompetitive
softball together in the summer of 1989. We would
play for hours, purely for the love of the game.
After the mistrust that had been sown in my life
by the Intervention done on me, it helped me learn
to trust a group of people again. Pat and Mike
and I began to connect some.
We all began attending a creativity workshop around
the same time, and discovered a common interest
in creative things as we tentatively pulled our
creative talents out of the closet, dusted them
off, and explored them in a safe environment.
Several times I ran into Pat at a chinese buffet,
and we began to visit as we ate dinner.
The softball crew would go to dinner at that same
chinese buffet, on Sunday evenings after a long
afternoon of play. How we would play for 3 to
4 hours in Houston in August, I’ll never
understand.
Pat, Mike and I had several discussions during
those dinners about creativity, about our dreams,
and our destinies. We decided we needed more time
to discuss things, and in the fall of 1990 we
decided to meet every two weeks to share thoughts
and visions of our lives. It was a phenomenal
support group. Nick joined with us later.
Pat had begun playing the drums during this time,
and showed up one time with a cap on that said
“Zildjian”. When Mike asked what it
meant, Pat said it was Arabic for Cymbalmaker.
I just nodded, but Mike got excited, and I couldn’t
understand why. Mike thought it meant Symbolmaker.
After we cleared up the misunderstanding, we liked
the alternate definition, and adopted that as
our theme. We were talking a lot about Joseph
Campbell, myths and rituals, the hero’s
journey, and somehow the Symbolmaker blended right
in with those talks. The movie Dances With Wolves
had just come out that fall, and it enthralled
us with the thought of exploring frontiers, other
cultures, and in some way finding our true selves.
We were beginning to explore our paths during
the heyday of the Men’s Movement. Pat brought
me a magazine called the Utne Reader, which had
an article about healing old wounds with your
father. I still have that article. It stated that
to heal the wounds, you should go heal the wounded
father within yourself.
It made sense at the time, and led to me exploring
the story I’d never followed before - what
happened to my Dad when he disappeared for about
a year after his drinking bottomed out? I began
to explore the story, and after writing the first
two chapters, I realized I had a powerful story
- a story of hope. I was already seeing my Father
in a different light. |
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| Then
I Went to Find My Father |
Book Six |
As the Symbolmakers inspired my
healing process with my Dad, I had begun to write
a story about the time when my Dad disappeared.
He had lost his job, lost his family, lost everything;
he had reportedly gone to work on the wheat harvest,
which he had done in high school. He returned
to Fort Worth, and after fumbling around for a
while, sobered up in AA, and eventually got a
job in his old industry, put the family back together,
and had altogether a different experience than
I would have expected when he disappeared.
The missing piece for me was that I had no idea
what it would be like to be on the wheat harvest.
I mentioned it to the guys at dinner one night
that “someday, if I’m ever going to
finish this book, I have to go work on the wheat
harvest.”
Pat said later that I had mentioned that three
or four times before he said anything. In January
of 1991, he quietly said to me one night, “Someday,
if you ever want to go work on the wheat harvest
to finish your book, I have relatives in Oklahoma
who work the harvest every year. I could probably
get you on with them.” I did a huge mental
gulp at hearing that, and reacted like I usually
do when I’m in shock, sat there with a stunned
look on my face, saying nothing. I thought about
that for a long time, because I felt like the
spiritual ante had been greatly upped on this
whole book project.
I told several of my friends about it, and all
were in support of it. One night I told one of
the guys from my Sunday School class about it
- he was an accountant, very well grounded, a
very solid person. He was totally enthusiastic
for me. I later realized I had secretly hoped
he’d call the idea very unreasonable, and
try to talk me out of it.
Time to take a leap
The momentum built, and by May of 1991 I had
quit my job, driven to Oklahoma, and was living
in a trailer with 6 high school farm kids, learning
to drive a grain truck. I knew it was a turning
point in my life, which proved true. I found my
story eventually, but more importantly, I walked
in my Dad’s shoes. I imagined what it would
be like working your way north on a harvest crew,
and at least in his mind, thinking you would never
return home. Heartbreaking.

Dumping wheat onto a grain truck.
----------------------------------
It had been a magical summer in many ways, but
tough. I had worked in the oilfields for a couple
of summers, but it was not nearly as hard as the
work I encountered on harvest. When the wheat
stayed ripe and rain was on the forecast, you
might work until 3 AM, then get up at 7 and do
it all over again. Not to mention the fact that
I was a 41 year old man, trying to keep up with
high school kids. (My Dad would have been 40 when
he went on harvest)
But now it was August, 1991, and I had gotten
through the worst part of it, and actually felt
like I mostly knew what I was doing. We had followed
the wheat north, and now were on a dirt road outside
of Rapid City, South Dakota, heading the back
roads to Sturgis, our next stopping point. I was
driving a longbed grain truck pulling a combine
on a trailer. I was entranced by the long flowing
vistas of hills and prairie grass as we drove,
and the land started looking eerily familiar.
We pulled up to a T intersection, and I could
see that the rig ahead of me had turned left,
to the west. As I stopped at the intersection,
I was struck by the thought, “This looks
like the scenes from Dances With Wolves.”
I was facing a long flat vista to the north, gently
sloping down to a tree lined valley far, far away
and below. It was awe inspiring.

Shot from the truck, looking down at the valley
where Dances With Wolves filmed.
The next day, in Sturgis, I
found out why the scene had looked so familiar
- I had been looking down at the valley where
the Indian village scenes were filmed in Dances
With Wolves. The very one. Later, I even got to
tour the movie location. It was just that kind
of summer. |

Me at the Dances With Wolves filmsite
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| Nothing
Left to Lose |
Book Seven |
In 1967, when
I was 17, we were living in Oklahoma City when
my Dad’s drinking hit bottom. My aunt and
uncle came and picked up my Mom, my 3 sisters
and myself, taking us back to Fort Worth to live
with my maternal grandmother. Dad disappeared
for a while, then later returned to Fort Worth,
somehow changed. I never knew what had happened
to him, other than a vague comment about him going
and working on the wheat harvest, which he had
done in high school. I never thought I would see
him again, and later wondered what his life had
been like during the time while he was gone.
He died before it ever occurred to me to ask him
about it.
In the spring of 1991, I quit my job, went up
to Oklahoma, and worked on the wheat harvest,
to try and imagine what my Dad’s life was
like after we left, and what might have happened
to him. The book I wrote in 1993 was my best guess
as to what happened. The first chapter reads:
Chapter 1
Eyes downcast, he trudged along, conscious of
the uneven surface along the shoulder of the highway,
stumbling occasionally on chunks of gravel or
small pebbles. He looked up periodically at the
cars speeding past, as if to keep his bearings.
His face was lined and weary and his entire body
ached. He was wearing a worn brown corduroy jacket,
a wrinkled plaid flannel shirt, dark blue polyester
pants, white socks and cordovan loafers.
It was about 5 pm and the sun had just set. Night
was approaching rapidly and the chill of February
in 1967 was harshened by a brisk wind which picked
up in gusts as he walked. He tried to walk faster,
his hands deep in his pockets, but had to step
carefully so not to turn an ankle on the uneven
surface beside the roadbed. His vision was limited
by the flash of oncoming headlights.
He had been told there was a boarding house in
town where he could get a room for the night,
and he plodded on, the directions vaguely held
in a corner of his consciousness.
“We’re sorry,” they’d
said at the detox center, “but all we can
do is provide you a place for 5 days. We just
help people dry out. Then we have to give the
bed to someone else.” They had directed
him to the boarding house, wished him well, given
him back his clothes and money, and sent him on
his way.
His feet hurt, his whole body ached, he craved
a drink but knew that he must make the most of
this chance. There was another pain, too, an emotional
void when he thought of all he had left behind,
all he had lost. He wondered where they were now,
but he knew he could do nothing for them. Yet
he longed for their voices, for any source of
warmth and comfort to relieve this coldness, and
the blackness in his soul.
--------------------------------
Sitting and looking out the big picture window
at the front of Miss White’s Boarding House,
Peter Sanders watched the occasional car pass,
and a few blocks away he could see the busier
traffic on the main street. Busy, he thought,
for our town. Cornell, Oklahoma wasn’t exactly
New York, he chuckled to himself, but it was rush
hour here, with cars heading home to supper.
At the corner of the main road where it intersected
his street, he saw a figure hesitate, look at
street signs, and uncertainly begin to walk toward
him. Another drunk out of the center, he thought
to himself, betting that the man was headed here.
This was where they mostly came when they had
nowhere else to go.
Peter got up, stepped to the door of the kitchen,
cracked it open. “Miss Vera,” he called.
“Yes, Peter?” she replied.
“I think we got a visitor coming in.”
“Alright. Send him through to me.”
Miss Vera stepped wearily into the living room.
She had seen so many come through her doors that
the novelty of it had long since worn off.
Peter sat in one of the overstuffed chairs in
the living room, extending his feet toward the
large space heater in the corner. Miss Vera went
back into the kitchen. The man opened the door.
“Step in and warm up, stranger,” Peter
called. He stepped quickly and gratefully over
in front of the space heater, holding his hands
out over it, shivering slightly. Peter studied
him. He was about six feet tall, slender yet sturdy,
with dark circles under the eyes, sunken cheeks.
He had dark brown hair, cut short, rumpled and
uncombed, and his clothes weren't heavy enough
for February. The clothes looked of good quality,
but were tired from overuse. His hands looked
soft. There were no calluses or marks, so he was
probably not a laborer. His shoulders slumped
wearily, hands twitched, and he had an almost
nauseous look on his face. Peter imagined him
to be a businessman gone to seed - gone down far
and fast, too. Peter knew the look - he'd had
it himself recently enough. |
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My Dad in March
1971 |
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